Tag: Weeds

The Weeds Season Finale

by on Nov.16, 2010, under television

I agree with the A.V. Club: after a couple of horrendous years, this season of Weeds was surprisingly great.

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The Problem with Weeds

by on Aug.26, 2009, under television

I’m still watching it. Yes, I’m aware it’s been no good for about the past two-and-a-half, three seasons. I’ve only finally managed to put my finger on why it’s gotten so disappointing, though. If you care, I’ll share.

The original Weeds was a sharp satire of upper-class suburbia: everyone is miserable, thieving, and desperate, and Nancy is forced to sell drugs to keep up her family’s lifestyle. But a few seasons in Nancy starts to get ambitious, tries to become a drug kingpin in her own right, and keeps falling down. Ultimately she ends up in a place where Andy can tell her, as he did this week, that she hasn’t sacrificed for her family, she has sacrificed her family, and she’s only done so because she’s so desperately afraid of being ordinary.

Now, this is definitely true, and it was satisfying to see Nancy finally held accountable for her years of bad behavior. But we’re still stuck watching the ridiculous, neverending plot arc with the Mexican drug lord/mayor of Tijuana. It would have been so much better if we could have seen Weeds take on, say, the foreclosure crisis.

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Hebrew School (Inglourious Basterds)

by on Aug.24, 2009, under Movies

This is steaming me:

But these bad guys were real, this history was real, and the feelings we have about them and what they did are real and have real-world consequences and implications. Do you really want audiences cheering for a revenge that turns Jews into carboncopies of Nazis, that makes Jews into “sickening” perpetrators? I’m not so sure. An alternative, and morally superior, form of “revenge” for Jews would be to do precisely what Jews have been doing since World War II ended: that is, to preserve and perpetuate the memory of the destruction that was visited upon them, precisely in order to help prevent the recurrence of such mass horrors in the future. Never again, the refrain goes. The emotions that Tarantino’s new film evokes are precisely what lurk beneath the possibility that “again” will happen.

As far as “what Jews have being doing since World War II ended” and “the possibility that ‘again’ will happen”, I don’t think anyone’s put it better than Jenji Kohan’s Weeds:

It’s also worth pointing out that the Basterds’ gory vengeance–goods delivered, makeup and prosthetics people–takes up only slightly more time in the film than it does in the trailer. The story belongs to Shoshana Dreyfus and Hans Landa, the hunted and the hunter. The Basterds, amusingly, aren’t even particularly central to the film. In fact, (spoilers after the jump)…

(continue reading…)

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