Tag: buy it now!

Scarlet #2

by on Sep.03, 2010, under Comics

I haven’t reviewed many second issues. Possibly none in the year-plus I’ve been writing comic reviews. I keep buying the series whose #1’s I like, but there doesn’t seem much point in writing about them.

In this case, though, I want to take another opportunity to urge those of you within the sound of my metaphorical voice to start buying Scarlet. As I described in my review of #1, the main character Scarlet is a young woman undergoing a moral origin story, on the path to becoming a revolutionary. For that alone you should get the book. How many pop culture products out there are willing to say straight out that our society is rotten and in need of a revolution? Not some sci-fi society used as an allegory of ours. Ours.

But #2 also begins to showcase something that has always been a great strength of Brian Michael Bendis’s other series Powers: the page layouts. Brian Avon Oeming realized Bendis’s script directions for those layouts very differently from the way Alex Maleev does it here, of course, but the spark of originality feels the same.

Scarlet’s weeks of staking out the crooked cop who ruined her life are shown in a two-page spread of wide panels just big enough for the car rear-view mirror in which she watches him. When an ex-officer has to make a long speech to her, Maleev breaks a single large image of him into three different-sized panels to avoid an overwhelming block of text. To show time passing in her recovery from a gunshot to the head, we get a two-page spread of square panels, all with Scarlet addressing the reader in the same pose, against a succession of different backgrounds, as her shaved hair gradually grows back and lengthens to her shoulders.

I am a little worried that Scarlet will end up like James Lee, because her complaint against the world is so broad: there’s evil in it and no one cares. A “revolutionary” who thinks like that could well end up just being an insane person. I hope that’s not where Bendis is going. Until then, anyway, I’m 100% on board.

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Scarlet #1

by on Jul.16, 2010, under Comics

I wouldn’t ever have seen Scarlet #1 if there hadn’t been a mix-up with the comics my local store was supposed to hold for me over vacation. I suspect that that mix-up was partly my fault and said so, but nevertheless they gave me Scarlet as a throw-in to make up for it.

“You’re going to love this,” they said.

And they’re pretty much right. I do love it. It’s by Brian Michael Bendis, writer of my #9-favorite-of-the-decade series Powers, breaking a whole new set of conventions.

One of the breaks is small, but has a big effect: rather than have the red-headed twentysomething main character tell her story in narration, she addresses the reader in speech bubbles. Many comics have characters reciting voice-overs to the ether, but few I can think of address the reader in the second person with text like:

I’m sorry to be right in your face like this. I know you were looking for a little diversionary fun. I know you were subconsciously hoping you could just watch without any of it actually directly involving you. But what’s going on here requires your involvement and attention.

The other break is larger, perhaps, though handled more subtly. This is the first issue of what seems to be a new superhero story, of a kind anyway, so Bendis gives us an origin. But the hero doesn’t have any superpowers, so what she acquires in her origin—in which her boyfriend is murdered by a corrupt cop and then framed as a drug dealer to justify the killing—is a new moral outlook.

Everything is broken. You realize that, right? You know it … deep down. And you’re saying to yourself: girl, bad things happen to good people every day! And I am saying to you … yes. But that’s the proof. Don’t you see?

Of course this isn’t the first time we’ve seen a comic about an otherwise non-superpowered person who has a trauma and becomes a vigilante as a result (see Batman, the Punisher). What I find interesting about Scarlet is that her moralism is far more total than those earlier heroes, who pursued a version of revenge against criminals alone.

Sure, she beats up a bicycle thief and executes a crooked cop in the opening pages, but it’s not yet clear that these are anything more than vigilante acts of convenience. When she climbs to a rooftop with a sniper rifle at the end and tells us, the readers, that we’re going to help her do something about the broken world, I have no idea what’s coming next and want to know. Which for issue #1 is just about right.

(Bendis says it’s a revolution. Nice.)

Alex Maleev’s art looks a little like what happens when you paint in color on black-and-white photographs. It has that underlying realism of form and posture combined with the loss of fine detail that comes when you reduce the available gradations of shading. It makes Scarlet’s face hard to read, which I think works here. If I had a complaint it would be that Scarlet herself is just too damn sexy, but hey, boys buy comics.

No previews, sorry.

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I Kill Giants TPB

by on May.20, 2010, under Comics

Fuck you, Joe Kelly and JM Ken Niimura, for making me almost cry on the F train. Seriously, I was like this close. Fuck you for writing the Bridge to Terabithia of comics.

I’ve written a lot of negative reviews recently, and a lot of the positive reviews I’ve written have been half-hearted at best.  It’s been a long time since I got to write a rave about a book I didn’t suspect beforehand I was going to love. I Kill Giants is why I read comics.

It’s about a fifth-grade girl named Barbara who’s a little undersized, friendless, and really weird. She plays D&D instead of hanging out with kids her age. She gets sent to the principal’s office for disrupting career day—because she already has a career, thank you very much, giant-killing—and then to the school psychologist’s office. She carries a magical giant-killing hammer named Coveleski, after a turn-of-the-2oth-century baseball player. Her sister looks after her and her brother and there’s an unspeakable horror living upstairs.

Childhood escapes from troubled home lives into fantasy are hardly unexplored territory, but Kelly and Niimura execute Barbara’s perfectly. The sense of genuine menace builds as elements of Barbara’s imagination come to life in the real world. Giants are coming, and her crudely drawn familiars can’t help her, they can only die. The major villain, when he appears, would be terrifying to a child.

Seriously, just buy it. Buy it immediately.

Preview below the fold.

(continue reading…)

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